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[CONCEPTUAL PERFORMANCE] Chris Burden

" Chris Burden was born in Boston, Massachusetts in 1946. He moved to the California in 1965 and obtained a B.F.A at Pomona College, Claremont, California in 1969 and later a M.F.A at the University of California in 1971. During the early seventies, Burden’s first mature works were characterized by the idea that the truly important, viable art of the future would not be with objects; the things that you could simply sell and hang on your wall.  Instead art would be ephemeral and address political, social, environmental and technological change.


Burden, with his shockingly simple, unforgettable, "here and now" performances shook the conventional art world and took this new art form to its extreme. The images of Burden that continue to resonate in public mind are of a young man who had himself shot (Shoot, 1971), locked up (Five Day Locker Piece, 1971), electrocuted, (Doorway to Heaven, 1973), cut (Through the Night Softly, 1973), crucified (Trans-fixed, 1974), and advertised on television (4 TV Ads, 1937–77).

His work has subsequently shifted, focusing now on monumental sculptures and large scale installations, such as B-Car, 1975, The Big Wheel, 1979, A Tale of Two Cities, 1981, Beam Drop, 1984, Samson, 1985, Medusa’s Head, 1990, L.A.P.D. Uniforms, 1993, Urban Light, 2008 and Metropolis II, 2010. These works often reflect the social environments, make observations about cultural institutions, and examine the boundaries of science and technology."

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